Mostafa Choobtarash

born 1983, lives and works in Tehran, Iran

CV

AN EMOJI BEFORE A DEMOCRATIC MEETING, 2014, print, oil and pencil on paper, 72 pages, 88 × 30 cm

„I don’t address complicated subjects in my art, but instead everyday things, an interesting conversation I had with a taxi driver, seeing someone angry on the street slamming a door and wondering what made them angry, the flood of news on the TV… Even when I am looking at history, I am more interested in using it inspire a critical relationship with the time I am living in.” (Mostafa Choobtarash)

“What were cavemen doing when they made their paintings on cave walls? They were visually expressing their fears, stresses, their adventures and conflicts. Their work has survived on those walls for countless years and we can we can still see their concerns with life in those paintings. My work critiques mass media and the social networks in which the truth and information becomes twisted and lost, but at its core, my work is old and traditional, not much different to those cave paintings.” (Mostafa Choobtarash)

LAZY BOMB, 2018, mixed media on paper, 70 × 100 cm
LAZY BOMB, 2018, mixed media on paper, 70 × 100 cm
LAZY BOMB, 2018, mixed media on paper, 70 × 100 cm
LAZY BOMB, 2018, mixed media on paper, 70 × 100 cm
WHEN CHAIRS ACT LIKE HEDGEHOG, 2014, mixed media on cardboard, 98 × 68 cm
WHEN CHAIRS ACT LIKE HEDGEHOG, 2014, mixed media on cardboard, 98 × 68 cm
WHEN CHAIRS ACT LIKE HEDGEHOG, 2014, mixed media on cardboard, 68 × 98 cm
WHEN CHAIRS ACT LIKE HEDGEHOG, 2014, mixed media on cardboard, 68 × 98 cm
AND SO, I ORDERED THE CRICKETS STINGS ..., 2019, acrylic and oil on canvas, 185 × 165 cm
AND SO, I ORDERED THE CRICKETS STINGS ..., 2019, acrylic and oil on canvas, 190 × 140 cm
Katharina Maria Raab
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